From Possession, by A.S. Byatt:
"And LaMotte. Did she keep a journal?"
"Not as far as we know. Almost certainly not. She wrote to one of nieces advising against it. It's a rather good letter. 'If you can order your Thoughts and shape them into Art, good: if you can live in the obligations and affections of Daily Life, good. But do not get into the habit of morbid Self-examination. Nothing so unfits a woman for producing good work, or for living usefully. The Lord will take care of the second of these--opportunities will be found. The first is a matter of Will.' "
"And you? Why do you work on Ash?"
"My mother liked him. She read English. I grew up on his idea of Sir Walter Ralegh, and his Agincourt poem and Offa on the Dyke. And then Ragnarök." He hesitated. "They were what stayed alive, when I'd been taught and examined everything else."
Maud smiled then. "Exactly. That's it. What could survive our education."
"We two remake our world by naming it
Together, knowing what words mean for us
And for the others for whom current coin
Is cold speech--but we say, the tree, the pool,
And see the fire in the air, the sun, our sun,
Anybody's sun, the world's sun, but here, now
Particularly our sun..."
-Randolph Henry Ash
"My recent reading has caused me for some reason to remember myself as I was when a young girl, reading high Romances and seeing myself simultaneously as the object of all knights' devotions--an unspotted Guenevere--and as the author of the Tale. I wanted to be a Poet and a Poem, and now am neither, but the mistress of a very small household.... I remember at sixty the lively ambitions of a young girl in the Deanery, who seems like someone else, as I watch her in my imagination dancing in her moony muslin, or having her hand kissed by a gentleman in a boat.
"I hit on something I believe when I wrote that I meant to be a Poet and a Poem. It may be that this is the desire of all reading women, as opposed to reading men, who wish to be poets and heroes, but might see the inditing of poetry in our peaceful age, as a sufficiently heroic act. No one wishes a man to be a Poem. That young girl in her muslin was a poem; cousin Ned wrote an execrable sonnet about the chaste sweetness of her face and the intuitive goodness shining in her walk. But I now think--it might have been better, might it not, to have held on to the desire to be a Poet? I could never write as well as Randolph, but then no one can or could, and so it was perhaps not worth considering as an objection to doing something.
"Perhaps if I had made his life more difficult, he would have written less, or less freely. I cannot claim to be the midwife to genius, but if I have not facilitated, I have at least not, as many women might have done, prevented. This is a very small virtue to claim, a very negative achievement to hang my whole life on. Randolph, if he were to read this, would laugh me out of such morbid questioning, would tell me it is never too late, would cram his huge imagination into the snail-shell pace of my tiny new accession of energy and tell me what is to be done. But he shan't see this, and I will find a way--to be a very little more--there now I'm crying, as that girl might have cried. Enough."
-Ellen Ash
Lastly, from The Rebirth of Druidry, by Philip Carr-Gomm
"The connecting thread of poetry does not exist as words on paper. It is not, and cannot be, what we write. Analysis, like dissection, kills the beast. This poetry is instead the memory of motion and stillness. It exists in the stuttering fall of leaf to loam or the recursive eddying of a stream. It is the force of gravity that binds us to earth, and the unbearable lightness within us that happens when the sun pierces the clouds and illuminates the rolling green hills below. Poetry is the terror of the whirlwind and the sudden stillness of death. The connecting thread exists in the tension and resolution between the inner wilderness of the Druid and the external wilderness of the whirling planet."